“Since a man does not alter, and his moral character remains absolutely the same all through his life; since he must play out the part which he has received, without the least deviation from the character; since neither experience, nor philosophy, nor religion can effect any improvement in him, the question arises, what is the meaning of life at all? To what purpose is it played, this farce in which everything that is essential is irrevocably fixed and determined?
It is said that a man may come to understand himself, that he may see what it is that he seeks and has sought to be; what he wants, and what, therefore, he is. This is a knowledge which must be imparted to him from without. … Life is the manifestation of character, of the something that we understand by that word. ... Life is only the mirror into which a man gazes not in order that he may get a reflection of himself, but that he may come to understand himself by that reflection; that he may see what it is that the mirror shows. Life is the proof sheet, in which the compositors’ errors are brought to light. How they become visible, and whether the type is large or small, are matters of no consequence. ...
I have described character as theoretically an act of will lying beyond time, of which life in time, or character in action, is the development. For matters of practical life we all possess the one as well as the other; for we are constituted of them both. Character modifies our life more than we think, and it is to a certain extent true that every man is the architect of his own fortune. No doubt it seems as if our lot were assigned to us almost entirely from without, and imparted to us in something of the same way in which a melody outside us reaches the ear. But on looking back over our past, we see at once that our life consists of mere variations on one and the same theme, namely, our character, and that the same fundamental bass sounds through it all. This is an experience which a man can and must make in and by himself.”
Arthur Schopenhauer, 'On Human Nature', 1850